Mark Oliver Everett, or E, from EELS

Blending the conventional and the quirky, EELS gave a solid performance, with gritty vocals and alluring originality, at Observatory North Park.

Thereโ€™s something quite striking about walking into a venue to see the sole figure on the stage robed in a luminescent, white tuxedo and matching cowboy hat. Among other things, it makes you wonder how much bleach he must have to keep a suit so pristinely white.

The sole figure of Robert Ellis, an Americana singer-songwriter trekked his way to the Observatory in North Park from Houston, Texas. Ellis had a charismatic stage-presence, with a wry sense of humor that manifested witty banter between songs as well as in the lyrics of the songs themselves. Ellisโ€™ commentary on his romantic life in Passive Aggressive is a case in point.

For most of the performance it was Ellis serenading us with voice and keys, playing tracks from his fifth and most recent full-length record, Texas Piano Man. The musical highlight of the set was when Ellis traded the keys for guitar, giving us a sample of the style of his earlier recordings as he played Sing Along. Lightspeed fingerpicking and an added twang to Ellisโ€™ voice let his virtuosity and his bluegrass heritage shine through. Suddenly the proportion of flannel shirts in the crowd made a lot of sense.

If Robert Ellisโ€™ stage image was immediately striking, EELS did not want to be shown up. Lead by founding member and multi-instrumentalist E, EELS opened their set with a cover of the theme from Rocky that helped to draw people away from the bar and their attention back to the stage. In many ways EELS have the charm of a conventional rock act โ€“ 70 years of rock-and-roll convention manifest in to catchy bass lines, consistent drum patterns, and a smatterings of virtuosic guitar solos. E provides the alluring originality that gives EELS their kick, with gritty vocals, deceptively dark lyrics, and a strange penchant for integrating tamborines, vibraslaps, and other surprising instruments into the mix.

Blending the conventional and the quirky, EELS gave a solid, energetic performance. They probably didnโ€™t need to have 5 encore songs, but you have to give them credit for having so much energy! You can check out EELSโ€™ music here.

Review by: Sam Gaffney

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