A Night on the Moon: AIR’s “Moon Safari” Lands in San Diego

San Diego got lucky last Wednesday, September 24th. In a rare treat, the iconic French duo AIR graced the stage at The Cal Coast Open Air Theatre, bringing their legendary album “Moon Safari” to life for an unforgettable night under the stars.
The evening began with a mesmerizing performance from opener Ioanna Gika. Her beautiful voice filled the amphitheater, creating a wonderfully aesthetic and ethereal atmosphere that perfectly set the tone for the main event. She delivered a magnificent set that captivated the early arrivals and proved to be the ideal prelude to AIR’s sonic journey.

As AIR took the stage, a reverent hush fell over the crowd. They launched into the first track of “Moon Safari,” and for the entirety of the album’s playthrough, the audience remained seated, completely immersed. It was a collective, meditative experience, with stunning visuals emanating from a central box on stage, enhancing the music’s dreamlike quality. Watching them perform is to witness the epitome of French music—beautiful, elegant, and effortlessly smooth. It was a true pleasure to simply sit back and let the lush soundscapes wash over you.

The energy shifted noticeably for the second half of the show. Kicking off with “Radia,” the duo delved into a collection of fan favorites, including the beloved “Run” and “Cherry Blossom Girl.” This was the cue for the entire audience to rise to their feet. The seated immersion of the first act gave way to a joyous dance party, as everyone swayed and moved to the timeless electronic grooves.

Just when it seemed the night couldn’t get any better, the encore sent everyone into outer space. A breathtaking rendition of “Alone in Kyoto” followed by the pulsating energy of “Electronic Performers” provided a powerful, climactic close. From start to finish, it was an impeccable show. Everyone left with a smile on their face, knowing they had just witnessed something truly special. It was a night we will remember forever.
Photos and review by: Narda Crossley
